Write Dance Critique Essay
Lululaund – The Dancing Girl (painting and silk cloth. Shawn concurs, stating that dance "was the first art of the human race, and the matrix out of which all other arts grew" and that even the "metre in our poetry today is a result of the accents necessitated by body movement, as the dancing and reciting were performed simultaneously" – an assertion somewhat supported by the common use of the term "foot" to describe the fundamental rhythmic units of poetry.
Scholes, not a dancer but a musician, offers support for this view, stating that the steady measures of music, of two, three or four beats to the bar, its equal and balanced phrases, regular cadences, contrasts and repetitions, may all be attributed to the "incalculable" influence of dance upon music.
Dance is generally, though not exclusively, performed with the accompaniment of music and may or may not be performed in time to such music.
Some dance (such as tap dance) may provide its own audible accompaniment in place of (or in addition to) music.
Many other contemporary dance forms can likewise be traced back to historical, traditional, ceremonial, and ethnic dance.The American dancer Ted Shawn wrote; "The conception of rhythm which underlies all studies of the dance is something about which we could talk forever, and still not finish." A musical rhythm requires two main elements; first, a regularly-repeating pulse (also called the "beat" or "tactus") that establishes the tempo and, second, a pattern of accents and rests that establishes the character of the metre or basic rhythmic pattern.The basic pulse is roughly equal in duration to a simple step or gesture.The use of dance in ecstatic trance states and healing rituals (as observed today in many contemporary "primitive" cultures, from the Brazilian rainforest to the Kalahari Desert) is thought to have been another early factor in the social development of dance.During the first millennium BCE in India, many texts were composed which attempted to codify aspects of daily life.Given this alternation of left-right, of forward-backward and rise-fall, along with the bilateral symmetry of the human body, it is natural that many dances and much music are in duple and quadruple meter.However, since some such movements require more time in one phase than the other – such as the longer time required to lift a hammer than to strike – some dance rhythms fall equally naturally into triple metre.It categorizes dance into four types – secular, ritual, abstract, and, interpretive – and into four regional varieties.The text elaborates various hand-gestures (mudras) and classifies movements of the various limbs, steps and so on.Some musical genres have a parallel dance form such as baroque music and baroque dance; other varieties of dance and music may share nomenclature but developed separately, such as classical music and classical ballet.Rhythm and dance are deeply linked in history and practice.