Trophy Negro Essay
At each lake, Benning prepared a single shot, selected a single camera position and a specific moment.The climate, the weather and the season deliver a level of variation to the film, a unique play of light, despite its singularity of composition.Expanded essay by James Verniere (PDF, 691KB) Directed by Stuart Paton, the film was touted as "the first submarine photoplay." Universal spent freely on location, shooting in the Bahamas and building life-size props, including the submarine, and taking two years to film. The film is based on Jules Verne's "20,000 Leagues Under the Sea" and to a lesser extent, "The Mysterious Island." The real star of the film is its special effects.Although they may seem primitive by today's standards, 100 years ago they dazzled contemporary audiences." Stanley Kubrick's landmark epic pushed the envelope of narrative and special effects to create an introspective look at technology and humanity. Clarke adapted his story "The Sentinel" for the screen version and his odyssey follows two astronauts, played by Keir Dullea and Gary Lockwood, on a voyage to Jupiter accompanied by HAL 9000, an unnervingly humanesque computer running the entire ship.With assistance from special-effects expert Douglas Trumbull, Kubrick spent more than two years creating his vision of outer space.
In the 1950s, several television dramas acted live over the airways won such critical acclaim that they were also produced as motion pictures; among those already honored by the National Film Registry is "Marty" (1955).
Expanded essay by Aubrey Solomon (PDF, 694KB) Special-effects master Ray Harryhausen provides the hero (Kerwin Mathews) with a villanous magician (Torin Thatcher) and fantastic antagonists, including a genie, giant cyclops, fire-breathing dragons, and a sword-wielding animated skeleton, all in glorious Technicolor.
And of course no mythological tale would be complete without the rescue of a damsel in distress, here a princess (Kathryn Grant) that the evil magician shrinks down to a mere few inches.
The authors of these essays are experts in film history, and their works appear in books, newspapers, magazines and online.
Some of these essays originated in other publications and are reprinted here by permission of the author.