The Crucible In History And Other Essays By Arthur Miller Essay Services.Org Review
In these two works by Miller, the protagonists move through transformations in their attitudes as they develop their consciousness about the unfair events which occurred during World War II.This process of getting conscious of the historical events, of the continuous injustice, inequality, and disaster predominant in almost every society through time, is asserted throughout the book as a vital need.What is most amazing is that the annotations prove that she has seen most of these items noted in her book and summarizes their contents, a monumental task (as her introduction indicates).And finally, Koorey includes an appendix of premieres (US and London), dates, theaters, actors and directors, as well as the list of sources she has consulted, followed by two indices, one of names, one of titles and subjects. Though there is some really good stuff among the new pieces, the new edition’s chief virtue seems to me to lie in making the older gems readily available again, the likes of “Tragedy and the Common Man,” “On Social Plays,” “The Family in Modern Drama,” and the unforgettable “The Shadows of the Gods.”The additions to this new edition include an expanded and updated literary chronology.Early misgivings about Broadway have turned to full-fledged lamentations by the time of the 1985 Roudané interview, and even though New York has generally treated Miller with respect, , and so it doesn’t really matter that there were fifty-two German productions of Miller plays in one recent year (just where did I read that Hitler’s Germans might not have proved quite so villainous had they had some Disney with their Goethe and Schiller? What stays with me after all the wisdom and the heartache and the chuckles is admiration for Miller’s sense of the ending.The man who closes the 1959 “On Adaptations” by: “The integrity of a masterpiece is at least equal to that of a can of beans” (217), and in 1993 calls Broadway theater “a cripple looking for a crutch” (525).These personal impressions were set on a larger dimension: how he experienced his interaction with foreign people in Brooklyn when he was a child and mainly how he had been introduced at that time to the Depression Age, a recurrent historical episode presented in , another well-known play by Arthur Miller.The way Miller thinks about his time as a student at the University of Michigan indicates another level of discussion: the profile and perspectives of the students of his generation compared with University of Michigan’s students today.
For secondary works, her book lists other, prior bibliographies and checklists, dissertations, and biographical articles, essays, and profiles (arranged chronologically, but also indexed).
The description of some past events and their effect on current days can be understood as a kind of “echo” that extends itself through time.
One of the “echoes” that hasn’t faded in the air, according to Miller’s point of view, is the impact of World War II, of Nazism on mankind, as a legacy of an unsolved sense of guilt.
Although the essays collected in this book present a variety of themes and were written from 1944 to 2000, many of them deal with a comparison between the context of a specific event in the past and its meaning today.
This can be especially noticed in the essays dedicated to his plays — “ in History.” These essays have in common the author’s emphasis on the impact of the past upon the present that has not dissolved, but somehow kept its trace and mark on present times.