Otis Rush Homework Levels Of Critical Thinking Skills

He moved to Chicago in 1948, and was inspired by the music of Muddy Waters, Howlin' Wolf and B. The first single, an intensely haunting rendition of Willie Dixon's "I Can't Quit You, Baby" shot to number six on R&B chart.

Rush continued to record for Cobra until its demise in 1958.

There are some sparks when the stone strikes the flint, but the number would have needed a longer running time for the passions to build, and even then, there simply wasn’t enough kindling to ever catch fire.

His distinctive guitar style features a slow burning sound and long bent notes.

The best perk was that I got to travel to Chicago three or four times a year.

Not only did I have friends living in the Windy City at the time, but the town was also still a hotbed for the style of electric blues that bore its name.

The fact that they were two middle-aged black men singing the song, pretty much guaranteed the number would never reach it’s intended audience. v=8G2cz At CX4w In 1966, the British Vocalion label released Rush’s Duke single (backed with ‘I Have to Laugh’) in England, coinciding with Rush’s appearances with the American Folk Blues Festival introducing Rush and his music to and a new generation in Europe.

We’ll take a look at some of the earliest covers of the song and how those in turn prompted covers by American bands, in the next installment.

Leave a Reply

Your email address will not be published. Required fields are marked *

One thought on “Otis Rush Homework”

  1. It suggested a flagpole when I first saw it; its color, shape, and gilded ball agreed with this idea, and these reasons seemed to justify me in this belief. The pole was nearly horizontal, an unusual position for a flagpole; in the next place, there was no pulley, ring, or cord by which to attach a flag; finally, there were elsewhere on the boat two vertical staffs from which flags were occasionally flown.