Essays On Vampire Literature Thesis Statement Wealth Distribution

She becomes entangled in a forbidden romance with her instructor as St Vladimir’s Academy, while learning how to defeat evil vampires named Strigoi.The YA Gothic revival has also embraced a wide range of supernatural entities.The Gothic romances of the 18th century, such as the novels of Ann Radcliffe, and the enduringly popular Bram Stoker’s Dracula (1897), sought to recreate feelings of terror and horror for an audience of adult readers.Today, however, most Gothic fiction is being published for, and read by, young people.The Twilight universe expanded from books into a highly successful film series.The Gothic has had several major periods of popularity since its first appearance in 18th-century England, with Horace Walpole’s novel The Castle of Otranto (1764).

The Twilight novels were bestsellers internationally and the saga was voted into the number one position in Australian book chain Angus & Robertson’s Top 100 Books poll of 2010.Clare has said that she did not write her series for young adults (and indeed almost half of the readership of YA fiction might be adults).Nevertheless, her teenage protagonists have resonated with readers of the same age. The world that Mead has conceived revolves around a battle between the 'good vampires', otherwise known as Moroi, and 'bad vampires, known as Strigoi.Mead was intrigued by and researched Romanian folklore prior to writing the novel and based the series on traditional Romanian folklore on vampires.In contemporary YA Gothic, girl monsters, who can constitute a threat to others and themselves, disrupt the plotline of male monster and female victim. Its popularity signalled a warm embrace of fantasy fiction that confronted the eternal dilemma of the battle between good and evil, charging a child - and later teenage protagonist - with the ability to save the world.The most obvious catalyst for the embrace of Gothic conventions in literature for young people is J. While Hogwarts School of Witchcraft and Wizardry was not necessarily Gothic, the Potter phenomenon opened the way for the publication of numerous titles that embraced the possibilities of young protagonists with supernatural abilities.Surprisingly, it has proved to be the ideal genre for exploring the grotesque and frightening aspects of coming of age, and metaphorically representing pressing social issues such as racism and gender inequality.The phenomenally popular YA genre, targeted at readers between 12 and 18 years old, evolved from realist novels of the 1960s.The Gothic, and its newer sub-genres like paranormal romance, have a unique resonance with teenagers.They are poised in a transitional space between childhood and adulthood, neither quite embodying the stage they are leaving behind nor fully the thing that they are in the process of becoming.

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