Essays On Ghosts Are Real Thesis Of Beowulf
The lower class’ fear of ghosts is not just part of the ghost story; it demonstrates how the characters in the novel perceive reality, thus adding cultural detail to the story and enhancing the realism of the work.In addition to being part of the lower class’ folklore, ghostly visions seem to belong to the moor and the Heights. Catherine’s ghost is strongly associated with the moors, suggesting that the land itself was haunted or prone to visits from the supernatural.Since the moor is such a supernatural setting, it is realistic to include supernatural events in any realist story set in the moor.The story of could not take place without the ghost story, not only because ghosts belong to the setting and society, but because ghosts and the supernatural are a large part of Catherine and Heathcliff’s relationship.The moor is a haunted, creepy, unknown land: in such a setting, ghostly appearances become a natural feature of the world, not a supernatural one (Cecil 150). Later in the novel, an apparition of Hareton Earnshaw appears to Catherine, and she recalls that “my bodily eye was cheated into a momentary belief that the child lifted its face and stared straight into mine!When the ghost of Catherine first appears to Lockwood, she appears against the backdrop of the moors, just outside the window, like she had risen out of the wild land and was trying to find her way inside to safety (119). ’ I asked, struggling, meanwhile, to disengage myself. It vanished in a twinkling; but immediately I felt an irresistible yearning to be at the Heights” (203).
Without the existence of the ghost story in is that as a realist narrator, he has the duty to recount the entire story, without leaving any detail out.
by Emily Brontë integrates the Victorian realist tradition with the ghost story genre, creating a highly realistic portrayal of life, death, and hauntings in the English moor.
The novel presents ghosts as an aspect of reality for both the region and the characters, providing further detail into the events of the story and the social context of the novel.
He claims that the setting is distinctly Yorkshire and that “the language of Nelly, Joseph and Hareton is the language of Yorkshire people” (161).
As further evidence for the painstaking detail Emily Brontë put into her work, C. Sanger analysed the passage of time throughout the novel and found the ages of the characters and the years are accurate throughout the novel (134–136). Heathcliff desires to be haunted by Catherine, but she refuses to.