Code Hero Essay My Homework Is Too Hard

This view involves Hemingway's concept that "when you are dead, you are dead." There is nothing more.

If man cannot accept a life or reward after death, the emphasis must then be on obtaining or doing or performing something in this particular life.

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The sensitive man in America or the sensitive man in the world came to the realization that the old concepts and old values embedded in Christianity and other ethical systems of the western world had not served to save mankind from the catastrophe of this World War.Instead, he searched for some principles based upon a sense of order and discipline that would endure in any particular situation.We can conclude this by saying that Hemingway's values then are not Christian, they are not the morals that we have grown accustomed to in twentieth-century Protestant America.One might express it in other terms by saying that the Hemingway man must have fear of death, but he must not be afraid to die.By fear we mean that he must have the intellectual realization that death is the end of all things and as such must constantly be avoided in one way or another.Also, he does not ask Catherine to come stay with him thus controlling his desires to make love to her.From this point in the book, Henry disciplines himself.Thus in the short story "The Short, Happy Life of Francis Macomber," at the age of thirty-five Francis himself had never tested his courage. But on a subsequent test he stood up and proved himself to be a true, good Hemingway hero.It is thus only by testing, by coming into confrontation with something that is dangerous that man lives with this intensity.Indigenous to almost all of Hemingway's novels and in fact to a study of Hemingway in general is the concept of the Hemingway hero, sometimes more popularly known as the "code hero." When Hemingway's novels first began to appear they were readily accepted by the American reading public; in fact, they were enthusiastically received.Part of this reception was due to the fact that Hemingway had created a new type of fictional character whose basic response to life appealed very strongly to the people of the 1920s. He was a man who moved from one love affair to another, who participated in wild game hunting, who enjoyed bullfights, who was involved in all of the so-called manly activities which the typical American male did not participate in.

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