Books In Essays Business Plan Cycle
Her essays live in the nonfiction borderland, testing the limits of truth and fact. Florida stands in for the American psyche, which is bleak and badly damaged…using facts alongside imagination and memory, of the country as it is, in order to understand how we got here, and where we’re going next.” gloriously gutted me—and by that I mean changed me forever as a reader. Florida is often played for laughs in literature, but Gerard knows it too well to do anything that simple.Also like Didion’s essays (when they first appeared), Gerard’s are records of a recent past that will soon enough feel like history.” “Gerard is a virtuoso of language, which in her hands is precise, unlabored, and quietly wrought with emotion…. Vivid, sometimes disturbing, but always engaging, I loved this memoir of our southernmost state where an evolving people play, dance, struggle, and die beneath tropical skies.” “With visceral wit and a literary toolkit full to the brim with new forms, Sarah Gerard’s first collection of essays makes the wild and untamed inner life of Florida bloom vividly within the reader’s mind.“Gerard’s memoiristic essays, compelling and confessional, are welcome breaks from the fascinating, densely researched narrative nonfiction that drives the majority of her book.Gerard takes a magnifying glass to powerful characters, herself included, and the underlying truths she unravels could apply to any number of Americans.The reader becomes invested in the characters’ lives, at times torn between empathy and disdain, but nonetheless needing to know what becomes of them.” “Gerard’s native Florida links the assembled eight essays, but the setting is just that - a backdrop against which Gerard exercises an admirable impulse for experimentation.who would ordinarily be flattened into condescending headlines.” , embodies Florida’s unpredictability in the best sense.The essays are structurally intricate and ultraprecise in their depictions of both the physical and human worlds.
In Gerard’s capable hands Florida becomes not so much a geographical state but a state of being, something which can leave an indelible mark on those who call it home.” “Gerard’s writing has been described as ‘unflinching,’ but perhaps the better terms are ‘generous’ and ‘patient.’ Her patience is what gets her close enough to her subjects that she can round them out, exhibit their complexities, and her generosity is what keeps her from mocking them….He becomes our embezzling protagonist whose tales about the birds he “rescues” never quite add up.Gerard’s personal stories are no less eerie or poignant: An essay that begins as a look at Gerard’s first relationship becomes a heart-wrenching exploration of acquaintance rape and consent.‘BFF’ is an extremely intimate autopsy of a childhood friendship.‘The Mayor of Williams Park’ is an immersive profile told in the quasi-detached first person, of G. Rolle, a minister who serves free weekend lunch meals.” ] dissects what Florida means to the United States with a nuance and complexity only someone who has lived in it—and, just as importantly, moved away from itcan provide….[The essays] work together to subvert the most common tropes about Florida’s antic madness.Instead they focus on humanizing the state’s inhabitants—inhabitants with hopes and dreams, who cope with systemic and visceral issues…This essay draws blood.” “These large-hearted, meticulous essays offer an uncanny x-ray of our national psyche, examining that American mess of saints and conmen, the peculiar, culpable innocence that American mess of saints and conmen, the peculiar, culpable innocence that confuses money and moral worth, charity and personal aggrandizement.Gerard’s prose is lacerating and compassionate at once, showing us both the grand beauty of our American dreams and the heartbreaking devastation they wreak.” … Gerard’s writing transports completely, thanks both to the eerie, atmospheric prose itself and to her thorough investigative journalism; each essay carries the reader to a seemingly foreign world….What slowly emerges throughout the course of Gerard’s searching is a clear-eyed dismantling of the American dream: the idea that we are the individual architects of our fates, each with the power to will for ourselves the lives we want, the abundance we desire — wealth we trust will lead to true happiness.” treats Florida…as a frame of mind, a psychoactive landscape through which to wander, poking what Gerard sees until she can make sense of it.